Perhaps the most blatant moment comes when Mr. White’s closeness is represented by their physical proximity throughout the scene they lean towards each other, exchange amused glances, and take turns draping an arm over the back of the other’s chair. The obvious pseudonyms are names given by Cabot to maintain plausible deniability among his for-hire thieves in the event that their jewelry heist doesn’t go as planned.Īlready Mr. Blonde, Joe Cabot and his son/heir-apparent, Nice Guy Eddie. The film opens during an extended dialogue scene involving the main players: Mr. Orange form a connection so powerful that in order to preserve it, one man betrays his long-time friend and business partner, and the other tells a secret so devastating it will mean his certain death, even when salvation is mere moments away. Orange’s acceptance into crime boss Joe Cabot’s fold, to the powerful and tragic denouement after the botched heist.
Through these flashbacks, it is established that the events of the film span over the course of a few weeks, from the time of Mr. The narrative possesses a play-like structure that intermittently deviates from the “stage” of an abandoned warehouse to enhance the complexity of its various characters in the form of flashbacks. The ultimate irony is that violence permits them to explore their (sublimated) feminine impulses and/or homoerotic urges. In fact, violence becomes the vehicle that gives these two characters permission to be physically and emotionally demonstrative with each other in a way that our machismo-obsessed culture wouldn’t otherwise allow. Through the lens of their interactions, the film explores our cultural perception of masculinity and how male sexuality is intimately entwined with violence. The brilliance of Quentin Tarantino’s Reservoir Dogs is exemplified by the profound and intimate relationship portrayed between “Mr.
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“Gay subtext always makes every movie better.” – Quentin Tarantino Author’s note: the content of this editorial contains numerous “spoilers”.